Back at It Again Rock Song

2013 studio anthology past A Day to Think

Common Courtesy
Two "C"'s against a yellow background with "A Day To Remember" above and "Common Courtesy" underneath

Original album artwork by Tony Moore

Studio anthology by

A Day to Remember

Released October 8, 2013
Recorded May 14, 2012 – March 18, 2013
Studio Jeremy McKinnon's home studio,
Orlando, Florida
Genre
  • Metalcore[one]
  • popular punk[2] [three]
Length 53:11
Label ADTR
Producer
  • Jeremy McKinnon
  • Andrew Wade
  • Chad Gilbert
A Day to Remember chronology
What Separates Me from You
(2010)
Common Courtesy
(2013)
Bad Vibrations
(2016)
Singles from Common Courtesy
  1. "Right Dorsum at Information technology Once again"
    Released: November eleven, 2013
  2. "Cease of Me"
    Released: March 25, 2014
Forepart-folio booklet artwork
Original artwork by Mike Cortada

Original artwork past Mike Cortada

Common Courtesy is the fifth studio album by American rock ring A Twenty-four hours to Remember. Songs for the anthology were written mid-2011, with recording starting from early-2012 and going into March 2013, with mixing being handled in the same month. In between that time period, an unmixed version of "Violence (Enough Is Plenty)" was streamed from the band'due south website in December 2012. The ring then embarked on the Correct Back at It Again Tour in March 2013, performing the new song "Correct Back at Information technology Again" at each show. From mid-Baronial to tardily-September, the band released webisodes to tie-in with the album. The ring performed another song that would appear on the anthology, "Expressionless & Buried", at each stop of the following House Party Tour, beginning in September 2013 and catastrophe a month later.

A few months earlier the recording of the album started, in December 2011, the band was involved in a lawsuit with their label Victory, which had parts resolved a few days before the album's release. This lawsuit led to the ring'south initial digital self-release of the album on October 8, with a concrete release following on November 25, featuring 3 bonus tracks. Common Courtesy charted at number 34 in the UK and number 37 in the U.Due south. and was met with critical acclaim, with critics praising the album'southward audio. "Correct Dorsum at Information technology Again" charted at number 33 on the Alternative Songs and at number forty on the Mainstream Rock Songs charts in the U.S, while "End of Me" charted at number 40 on Alternative Songs and at number 26 on Mainstream Rock Songs.

Background [edit]

Soon after the end of Warped Tour in July 2011, the ring decided to accept a break to compose new material.[4] In an interview with Alternative Press in November, vocaliser Jeremy McKinnon said that later on the band's done touring Europe the grouping will be recording their next album.[5] McKinnon likewise said that he has "been writing constantly for the course of the two years" while the band has been touring, and he is "really happy" with the material accumulated up to this betoken.[5]

On December 15, it was announced that A Solar day to Recall had plans of pressing charges against their label, Victory, due to breach of contract. Claiming withheld royalties of over $75,000, the group had reportedly started legal action confronting Victory on May 31 of that year.[6] Victory has said, on their behalf, that the lawsuit is actually nigh the band'due south refusal to fulfill their 5 album contractual commitment to Victory and their new-institute desire to motion to a major label.[7] A Day to Retrieve gave Altpress.com a statement: "A 24-hour interval To Remember would similar to make it articulate that they did not announce nor seek any attention regarding their ongoing adjust with Victory Records. This information has been public record since May of 2011 and they take no intention of speaking publicly or disparagingly regarding their disagreement with Victory. A Solar day To Remember will go on to release music for their fans".[eight]

Recording [edit]

It's really not meant to be political as it might sound–that's just never been our ring. Merely it'southward that feeling that things are out of your hands. I wanted it to have this night, ominous feeling.[9]

– Jeremy McKinnon, on the song "Violence (Enough Is Enough)", 2012

In January 2012, guitarist Kevin Skaff said the band would exist recording afterward they had finished touring in early on May and that it would "hopefully [...] be done by July or August" with the album out during the same twelvemonth.[10] On Apr 4, McKinnon hinted via Twitter that the band might be recording.[eleven] On May x, the band said live on stage that the band's new anthology would be titled Common Courtesy.[12] [13] Shortly subsequently this, the band started recording for the new album,[fourteen] on the 14th.[15] On August 25, Skaff had confirmed the album's championship.[16] [17] In September, the ring said that they were working with Republic of chad Gilbert.[nb one] [xx] While in the center of recording Common Courtesy, the band played a home boondocks gig on November 21.[21] [22]

A video counting down from the number 21 was posted online in early December;[23] [24] in the video McKinnon stated that "this is some of the best material that nosotros've written. I know people say that every album but I know it is."[25] Some thought this was a inaugural to the album,[26] [27] [28] instead, on Dec 21, the ring released the track "Violence (Enough Is Enough)" on their website,[29] [30] [31] which was confirmed to appear on Common Courtesy.[32] [33] McKinnon said that the music video was supposed to be filmed and released for "Violence (Plenty Is Enough)" on the same solar day "but it just didn't turn out that style. [...] We're trying to become things washed as fast every bit possible, but information technology just hasn't been working out."[9] Despite a statement on Oct 17, 2012 by producer Gilbert stating that the album might be finished inside a week,[34] by the fourth dimension "Violence (Plenty Is Plenty)" was released, the album was merely partly recorded.[xiii]

In an interview with Jennifer J. Walker of Kerrang! mag, McKinnon stated that there would be five heavy songs actualization on the album.[35] McKinnon said the album would be a "reflection on our history, on how minor-boondocks kids playing music that doesn't really brand sense to the world ended up on the principal stages of some of the biggest music festivals around the earth."[35] McKinnon confirmed that the opening track would exist "City of Ocala".[35] McKinnon said via a tweet, posted on February 18, 2013 that the band were still working on the anthology.[36] [37] In a February interview with radio.com, McKinnon said the delay in releasing cloth was non due to the band'south lawsuit against their record label, Victory, merely down to the number of songs for the album, and that the ring were still "working that out".[13] The ring had recorded an amount of cloth equal to that of "literally three or four albums' worth",[38] McKinnon said "If yous're putting out 15-plus tracks on a tape, that could be dangerous. It'south difficult for even your biggest fans to stay with y'all that long."[13]

McKinnon mentioned that the ring had financed the recording themselves and been recording at McKinnon's dwelling studio, congenital specifically for the making of this anthology.[nb 2] [nine] [13] The recording studio cost $40,000 (£25,000) for McKinnon and producer Andrew Wade to build; the rest of the band members paying $xx,000 of the total.[nb three] [42] Dan Korneff helped build various equipment for the studio, such as several audio compressors.[nb 4] [43] Wade and Korneff had a trial and fault system based on what Wade liked and disliked in a studio, which as McKinnon commented, "[we] congenital the whole studio around that [...] It took us a few months to get upward and running".[43] Mastering was handled by Ted Jensen at Sterling Audio, and mixing by Ken Andrews.[39]

The band'due south original guitarist, Tom Denney, was present for and had played a part in the recording: "He was but like another member of our band like he used to be. This is gonna be a really special album because of it."[13] In the February 2013 issue of Alternative Printing mag, McKinnon said the band had a total of 40 songs to piece of work with: "At that place was just this moving ridge of songwriting that happened in the last year... We have so much stuff that it's only a completely different experience. [...] We've never had this much of it, and it'southward never been this skillful right from the kickoff."[44] A month afterwards, on nineteen March, McKinnon said recording for the album had been finished, and now the anthology was onto the mixing stage.[45] [46] On the same day, the ring'southward video editor, Drew Russ, mail a tweet maxim he had "Wrapped up everything for the @WhereisADTR Common Courtesy episodes."[47] The adjacent 24-hour interval, McKinnon once again had an interview with radio.com, McKinnon said the band "always put i of the best heavy songs out first", then following-upward with "with a more well-rounded song that appeals to everybody."[48]

Music and lyrics [edit]

Information technology'll be the most songs we come up out of the gate with, ever. [...] We wanted to be able to put everything people wanted from usa on the record and brand it be something that they're gonna actually care about. [...] If It's a heavy vocal, brand sure it's a heavy song that people are really gonna be happy with, and at that place'south a huge chunk of our record that'south just aimed at those people who are fans of our band. Then we've got pop punk songs, we've got more than alternative rock songs, nosotros've got even slower songs than we've e'er done, we've got an acoustic song. It'southward everything that's ever been A Day to Remember times ten.[49]

– Jeremy McKinnon, on the musical styles within the album, 2013

Style and influences [edit]

In an interview with mag NME at the same fourth dimension, McKinnon said that despite having much material "We've not been able to go downwards to putting it all together withal", then reassuring that "when that happens we'll really be ready to become."[50] When asked what his inspiration has been, McKinnon replied that its "new stuff I'chiliad listening to all the fourth dimension, I mind to a flake of everything", then going on to proper name a few artists that he admires: Mumford & Sons, Living with Lions and Coldplay, among others.[50] McKinnon was so asked whether or not those bands' audio might influence the album, McKinnon answered with "Maybe, I guess I'll find out when we go through all the new ones", but so going on to say "Everything influences me, just it'll be an A Day To Call up record."[l] McKinnon went on to say that Mutual Courtesy is going to "have more heavier songs than on the past ii records together. Just with A Mean solar day To Remember, it'southward not that uncomplicated because A Mean solar day To Remember isn't one band."[9] Featured on multiple songs is in-studio banter, which Gregory Heaney calls "a window into a artistic procedure that sounds fun and relaxed".[51]

Tracks [edit]

McKinnon, along with Denney and Wade, wrote "the biggest songs on the album" in a menstruum of five days.[52] "City of Ocala" is "well-nigh standing in the dorsum garden of my parents' house and looking in the garage where we started, where we'd practise, and where we'd terrorise the neighbourhood."[35] Information technology is also about the band's hometown, Ocala, Florida, every bit McKinnon commented: "we've tended to be a lilliputian fleck negative about Ocala, but as fourth dimension goes on we've learned to appreciate it more than."[53] "Correct Back at It Again" was near excluded from the album equally it was i of the backlog songs the ring had recorded, "we realised that it sounded slap-up, so on information technology went."[53] "Sometimes Y'all're the Hammer, Sometimes Y'all're the Nail" was the last song written for the album, the band wasn't pleased with the 2nd verse and thus was re-written four times until the band idea information technology was satisfactory.[53] "Dead & Buried" was a "song that just came together" with minimal adjustments needed to it.[53] "Best of Me" had, according to McKinnon, a Foo Fighters feel to it.[53] It is i of the few songs of the ring that does non credit McKinnon as a writer of the song'southward music. "I'm Already Gone" was written while the band was touring with Bring Me the Horizon in the UK[53] while McKinnon was on the bout charabanc, "a long time ago".[nb 5] [52] It was demoed acoustically a couple of years prior to the album; Skaff said information technology was more or less finished by that betoken bar an electric guitar idea, which had come up from Wade, that was added.[57]

"Violence (Enough Is Enough)" was the beginning song written for inclusion on the anthology.[53] Discussing "Violence (Enough Is Enough)" in an interview, McKinnon said that the song was "near different perspectives from the earth and why people do terrible things to each other."[ix] [nb 6] "Life @ eleven" had come about during the pre-production stage of the album: "a lot of preproduction for this anthology, and this song kind of fell out of sparse air."[53] "I Surrender" was written "three or four years ago", however, McKinnon didn't like the original version he wrote, "but I always really loved it" so he later "got it finished in the way that I wanted it to be".[53] "Life Lessons Learned the Hard Way" was the final song written for the album: "We were like, 'Man nosotros need something heavy!' This vocal actually came from a voice memo that I'd recorded."[53] "Finish of Me" came about from McKinnon and Wade messing around in the studio with an acoustic guitar: "the song just came from something that he [Wade] played on that I thought was and then crawly that the song line came more or less immediately came to me."[53] "The Document Speaks for Itself" was the first song recorded for the album,[58] it is near the band's lawsuit with Victory.[53] An early edit of the song surfaced online on Oct 8, it features an intro consisting of a voicemail left past Victory-owner Tony Brummel saying he would sue the band.[59] "I Remember" is a "drove of memories [...] nigh our whole time on the road and some of the crazy things that happened to us over the years".[60]

Release [edit]

We have a organization ready where we will distribute the tape when we're allowed to, but someone is trying to end united states from doing that. Nosotros announced that we were going to put out the album, and immediately, someone tried to take that from united states of america. [...] If we don't put it out, it could stop our career.[61]

– Jeremy McKinnon, upon beingness asked whether the album would be cocky-released, 2013

Right Back at It Once again Tour and delayed release [edit]

On January 21, 2013, the ring announced they would go on the Correct Back at It Again Bout, which started on March 20[62] [63] and lasted until May 4.[nb 7] [67] On May 17,[68] the bout would be extended to include dates in Australia in July.[69]

Asked about a release date for the album in an interview with WGRD in April 2013, McKinnon said that "there'due south a date we've been–that I've heard–tossed around in the last week, but I mean nosotros haven't actually gear up anything in rock. But information technology's gonna be as soon every bit we possibly can. Nosotros're doing our all-time, nosotros're just trying–you know–we took our time to really brand this tape equally good as it could be, in our eyes [...] If everybody could exist patient with us, I call up they will be very very happy with what we put out."[49] Asked if the album was going to be released on Victory, McKinnon replied that the ring were "not certain", and that the lawsuit was nonetheless beingness settled.[49] Replying to fan via Twitter on 22 July, McKinnon said the album was "still beingness mixed".[seventy]

Eventual release and promotion [edit]

A promotional advertisement for the Mutual Courtesy 'The Series' web series.

On August 16, 2013, the band's official Facebook page announced Common Courtesy 'The Serial',[71] a web series that were released on YouTube.[nb eight] [74] The first episode, titled "Blackness Crow", was released on August 23.[75] The next day, Common Courtesy was announced for release on October 8.[76] The 2d episode, "Golden Hawkeye", was released on Baronial 30;[77] featured in the episode is a rap vocal of the aforementioned name, which had a music video released for it on September four.[78] The song was a spin on Trindad James' vocal "All Gold Everything". The third episode, titled "Guitar Vibes" and released on September 6,[79] was a joke on how the band was taking their time on recording the anthology.[80] On September 11, the ring began the House Party Tour,[nb ix] [84] where new song "Dead & Buried" was played on the kickoff night.[85] The fourth episode, "Spiritual Uplifting", was released September 15;[86] the terminal episode, "The Finale", was released on September 23, as was the cover art for the album, and digital pre-orders were existence taken.[87]

In an Alternative Printing interview posted on September 10, asked whether or not the album would exist self-released, McKinnon replied "I'll exist honest with you, I don't really know. I see [...] people are saying, "Oh, this is going to ruin their career [...]" etc. How about this: I'm not going to allow someone to sit on my career and ruin what may be our best album for people."[61] The anthology was finished "Every bit of last week, we got the final primary. I was telling people forever that the record wasn't finished, wasn't mastered and wasn't mixed. Information technology's finally done."[61] McKinnon as well said the album would exist pressed "pretty soon" and that the band was "doing it ourselves"; further adding that "We don't intendance if nosotros take to put out an anthology the 24-hour interval of October eight and information technology's only bachelor digitally."[61] Information technology was revealed by McKinnon that the version of "Violence (Enough Is Enough)" that was posted back in December wasn't mixed and that the lawsuit was still ongoing.[88] On October 4, information technology was announced the band had won against Victory in the courtroom case,[89] the group, however, is still contractually obligated to owe the characterization at to the lowest degree 2 more albums.[90]

Victory uploaded a video to YouTube called "The Cease begins October 8th 2013"; some thought this was a reference to the lawsuit with the band (however it was later revealed to simply be a teaser for a new song from the band Close Your Eyes).[91] "Right Dorsum at It Again" was appear on October 7 to exist broadcast as part of BBC Radio one's Rock Show the following midnight, with the band calling the vocal their "brand new single".[92] Common Courtesy was self-released by the band on October 8[93] [94] digitally.[95] On Oct 17, the band announced the physical and iTunes releases would occur on November 25,[96] with three additional tracks: "Leave All the Lights On", "Good Things", and "Same Volume Only Never the Same Folio".[97] "Right Back at It Again" impacted radio on November 11.[98] McKinnon, guitarist Neil Westfall and Skaff performed a surprise acoustic show for Warped Tour 2013 United kingdom of great britain and northern ireland on Nov 17,[99] and another acoustic set up, this time at Banquet Records the following twenty-four hours, both in London.[100] Skaff said, in an interview on November 24, that the band were "practicing for a trivial acoustic, calendar week long radio promotion" throughout London and Germany, and with the U.Southward. radio stations in December.[101]

Physical editions were released on November 25[102] in the U.Due south. and Europe past the band's ain label, ADTR Records,[nb x] and in Commonwealth of australia in cooperation with 3Wise Records on Nov 29.[nb 11] In early December, information technology was revealed the album had sold 92,874 copies in the U.S. inside outset week of release: 40,550 copies from the digital release, and 52,324 from the physical release.[104] The band performed "Right Dorsum at It Again" and "City of Ocala" acoustically for Billboard.[105] The band went on a United kingdom of great britain and northern ireland and Europe Bout in January and February 2014.[106] A "marble coloured" vinyl edition was released in the United kingdom of great britain and northern ireland on February 10.[nb 12] [108] On March 25, "Terminate of Me" was released equally a radio single.[109] In September, the ring performed at Arctic on the Hill festival.[110] On March 9, 2015, a music video was released for "City Of Ocala".[111]

Disquisitional reception [edit]

Professional person ratings
Aggregate scores
Source Rating
Metacritic fourscore/100[112]
Review scores
Source Rating
Rock Sound ix/10[113]
Punknews 4.5/5[114]
Sputnik Music 5/5[115]
Allmusic 4/five[116]
Alternative Printing iii.v/five[117]

Before release, the album had been widely anticipated.[118] [119] [120] [121] [122] [123] Recalling the ring's fans response to "Violence (Enough Is Enough)", McKinnon said "it was one of the best responses we've ever had coming out of the gate. I can't tell you how excited that made all of us."[13] The album received a Metacritic aggregate score of 80.[124] AbsolutePunk reviewer Thomas Nassiff summarizes that McKinnon "relate[d] the last three years of his ring's commonage life", from the opening rail to the last song "oft reminisc[ing] on the ring'south beginnings". Another recurring thing was "demanding respect", and that the band "doesn't devious" from their combination of pop punk and metalcore.[1] Writing for Alternative Press, Brendan Manley called the album "a classic ADTR record in every sense", with Manley favoring the pop punk songs: "[popular punk] wins, providing the most memorable moments on the record". Manley noted the listener would hear abiding "touches of the unmistakable chug-a-chug algorithm ADTR" that the band had previously used on their other albums.[2]

Tamsyn Wilce, for Modify the Press!, wrote that the anthology's opening track "throw[s] yous right into the whirlpool of popular-mosh goodness" proving that the ring "returned with a massive bunch of solid anthems". Wilce also wrote that the songs "make upward" for the amount of in-studio chatter included on the album.[three] Rock Sound's Andy Ritchie called "Right Back at Information technology Over again" "unmistakably the 'All I Want' of 'Common Courtesy'" and suggesting that lines in "Sometimes You're the Hammer, Sometimes You're the Blast", and "The Document Speaks for Itself", were digs at Victory. Ritchie also wrote that "the step is broken up" by "I'm Already Gone" which was "well-aligned" slotted before "Violence (Enough Is Plenty)".[125]

Commercial performance and accolades [edit]

Due to the way in which the album was released it was ineligible to nautical chart within its first week of release on the Billboard 200, however, information technology was predicted that had it been eligible, information technology would've debuted in the Summit x as it sold over 92,000 copies in the United States.[126] It eventually debuted at number 47 on Billboard 200 and peaked at number 37 three weeks afterward.[127] The album has sold 270,000 copies in the United States as of July 2016.[128]

The album had debuted on the UK album chart at number 57,[129] and on the U.k. Rock & Metallic Albums Chart at number 1.[130] The album besides charted at number 40 in Republic of austria[131] and at number 48 in Germany.[132] "Correct Back at It Over again" peaked at number 33 on the Culling Songs chart[133] and at number 40 on the Mainstream Stone Songs nautical chart.[134] The anthology was placed at number iv on Rock Sound 'due south "The 50 Best Albums Of 2013" list.[135] The music video for "Correct Dorsum at It Again" was nominated for All-time Video at the Kerrang! Awards.[136]

Runway listing [edit]

All lyrics written past Jeremy McKinnon.[39]

No. Title Music Length
1. "Metropolis of Ocala" Jeremy McKinnon, Tom Denney and Chad Gilbert 3:29
2. "Right Back at Information technology Once more" McKinnon, Denney, Neil Westfall and Andrew Wade 3:20
iii. "Sometimes You're the Hammer, Sometimes Y'all're the Nail" McKinnon, Denney, Westfall, Cody Quistad and Wade iv:34
four. "Expressionless & Buried" McKinnon, Denney and Gilbert iii:13
five. "All-time of Me" Denney, Westfall, Kevin Skaff, Wade and Gilbert 3:27
6. "I'm Already Gone" McKinnon, Skaff and Wade iv:04
7. "Violence (Enough Is Enough)" McKinnon, Westfall, Denney, Skaff and Wade 4:01
viii. "Life @ 11" McKinnon, Denney, Gilbert and Wade 3:22
9. "I Surrender" McKinnon, Gilbert and Wade 3:34
10. "Life Lessons Learned the Difficult Way" McKinnon, Denney and Westfall 2:17
11. "Terminate of Me" McKinnon, Wade and Gilbert 3:58
12. "The Document Speaks for Itself" McKinnon, Skaff, Westfall and Wade 4:43
13. "I Retrieve" McKinnon, Denney and Wade 9:04
Full length: 53:11
Bonus tracks
No. Title Music Length
14. "Leave All the Lights On" McKinnon and Wade 3:31
xv. "Good Things" McKinnon, Gilbert and Wade ii:59
16. "Same Book Simply Never the Same Folio" McKinnon, Gilbert, Skaff, Westfall and Wade 4:04
Full length: 1:03:45

Physical edition bonus DVD – Mutual Courtesy – The Series

  1. "Black Crow" – 7:27
  2. "Guitar Vibes" – 8:00
  3. "Spiritual Uplifting" – 7:34
  4. "The Finale" – seven:29

Personnel [edit]

Personnel per digital booklet.[39] [137]

A Day to Think

  • Jeremy McKinnon – pb vocals
  • Josh Woodard – bass guitar
  • Neil Westfall – rhythm guitar, backing vocals
  • Alex Shelnutt – drums
  • Kevin Skaff – lead guitar, backing vocals

Product

  • Jeremy McKinnon, Andrew Wade, Chad Gilbert – producers
  • Andrew Wade – engineer
  • Ken Andrews – mixing
  • Ted Jensen – mastering
  • Jeremy McKinnon – fine art direction
  • Tony Moore – front end cover illustration
  • Mike Cortada – back comprehend, anthology booklet and booklet analogy
  • Adam Elmakias – photos
  • Micah Bell – card & CC logo

Charts [edit]

References [edit]

Footnotes

  1. ^ Gilbert previously worked with the ring on Homesick (2009)[eighteen] and What Separates Me from You (2010).[xix]
  2. ^ In the digital booklet, the recording studio was credited as "Wade Studios".[39]
  3. ^ Wade has previously produced several of the ring'due south albums: And Their Name Was Treason (2005),[twoscore] bonus tracks on the 2008 reissue of For Those Who Take Heart (2007),[41] Homesick [18] and What Separates Me from You.[nineteen]
  4. ^ Korneff previously worked equally a mixing engineer on What Separates Me from Y'all.[xix]
  5. ^ The band toured with Bring Me the Horizon twice: a October 2009 tour in the Great britain[54] and subsequently The Game Changers Tour[55] in March–Apr 2011 in the U.Due south.[56]
  6. ^ When he originally began "Violence (Enough Is Plenty)", he said information technology was a "feeling similar you're helpless."[9] After revolvermag.com said the vocal "sound[ed] definitely more than metallic-influenced", McKinnon replied that the band haven't had a "huge metal influence" since their For Those Who Have Centre.[9]
  7. ^ In a gear up list, released in belatedly March, for the ring's Right Back at It Again Tour, the band perform new songs "Violence (Plenty Is Enough)"[64] and "Right Dorsum at Information technology Over again".[65] [66]
  8. ^ The theme song for the spider web serial is "Making History" past the Manly Masculine Men,[72] a duo comprising Wade and Russ.[73]
  9. ^ The tour last from September 11 to October 24, 2013.[81] It was originally announced that the support acts were Pierce the Veil and All Time Low,[82] with The Wonder Years announced every bit beingness another support human action in early August 2013.[83]
  10. ^ Europe ADTR ADTR005/0602537638901[103]
  11. ^ Australia ADTR/3Wise 3WR038
  12. ^ Uk/Europe ADTR ADTR009[107]

Citations

  1. ^ a b Nassiff, Thomas (October 7, 2013). "A Twenty-four hour period To Remember – Mutual Courtesy - Album Review". AbsolutePunk.net. Archived from the original on October 12, 2013. Retrieved Oct 15, 2013.
  2. ^ a b Manley, Brendan (October 8, 2013). "A Day To Retrieve - Mutual Courtesy - Culling Printing". Altpress.com. Archived from the original on October 14, 2013. Retrieved Oct 15, 2013.
  3. ^ a b Garland, Emma (Oct 2013). "ATP! Album Review: A 24-hour interval To Remember – Common Courtesy". Alter The Press!. Archived from the original on October 18, 2013. Retrieved October eighteen, 2013.
  4. ^ "A Day To Remember begin writing new music - Alternative Press". Altpress.com. July thirteen, 2011. Archived from the original on October iv, 2013. Retrieved May 12, 2013.
  5. ^ a b Goodwyn, Tom (November 24, 2011). "Interview: A Day To Remember's Jeremy McKinnon on new music and winning over Rise Confronting'due south fans - Alternative Press". Altpress.com. Archived from the original on April iii, 2013. Retrieved May 12, 2013.
  6. ^ Maxw (December 15, 2011). "A Day To Call up to sue Victory Records | News". Impale Your Stereo. Archived from the original on September 26, 2013. Retrieved July 12, 2013.
  7. ^ Shaw, Zack (December xv, 2011). "A Day To Remember Suing Victory Records". Metallic Insider. Archived from the original on September xx, 2016. Retrieved September 5, 2016.
  8. ^ Zaleski, Annie (December xv, 2011). "UPDATE: A 24-hour interval To Recollect's lawsuit against Victory Records confirmed - Culling Press". Altpress.com. Archived from the original on September 28, 2013. Retrieved July 12, 2013.
  9. ^ a b c d e f g Chichester, Sammi (December 20, 2012). "Interview: A Day To Think Frontman Jeremy McKinnon on New Song "Violence (Enough Is Plenty)" and Their Side by side Album - Heavy Metal News | Music Videos |Golden Gods Awards". revolvermag.com. Archived from the original on December 23, 2012. Retrieved May 13, 2013.
  10. ^ Culpan, Troy (January 29, 2012). "Kevin Skaff of A Day To Remember". Maytherockbewithyou.com. Archived from the original on Baronial 26, 2014. Retrieved Dec 4, 2013.
  11. ^ Yancey, Bryne (April 4, 2012). "A Day To Retrieve recording new music? - Alternative Press". Altpress.com. Archived from the original on April 30, 2013. Retrieved May 12, 2013.
  12. ^ Ableson, Jon (May 2012). "A Day To Retrieve Reveal New Album Championship "Common Courtesy"". Alter The Press!. Archived from the original on March 13, 2013. Retrieved May 12, 2013.
  13. ^ a b c d e f k "A Day To Call up Talks 'Really Special' Next Album, 'Common Courtesy' « Radio.com News". News.radio.com. February 28, 2013. Archived from the original on May 11, 2013. Retrieved May 12, 2013.
  14. ^ Ableson, Jon (May 2012). "A Day To Remember To Start Recording New Album". Alter The Press!. Archived from the original on October 4, 2013. Retrieved May 12, 2013.
  15. ^ Tare, Katherine (May 13, 2012). "EastScene – A Day To Remember Announce New Album Common Courtesy". Eastscene.com. Archived from the original on June 14, 2013. Retrieved May 19, 2013.
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Sources

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Further reading [edit]

  • Bayly, Jess (Nov 13, 2013). "A 24-hour interval To Remember Talks Common Courtesy". ripitup.com.au. Archived from the original on March 28, 2014.
  • Jamieson, Sarah (Nov 28, 2013). "A Twenty-four hours To Remember: 'Information technology Would've Been The Beginning Of The End'". DIY. thisisfakediy.co.united kingdom of great britain and northern ireland.

External links [edit]

  • "Violence (Enough Is Enough)" song review at Listen Equals Blown.
  • Official Common Courtesy stream at YouTube.

vegastickincers.blogspot.com

Source: https://en.wikipedia.org/wiki/Common_Courtesy_(album)

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